현대패션에 표현된 키치(kitsch) 연구

목차

Ⅰ. 서 론
1. 연구의 의의와 목적
2. 연구의 방법과 범위

Ⅱ. 키치 개념과 특성
1. 키치의 어원과 개념
1) 키치의 어원
2) 키치의 개념
2. 키치 발생의 사회적 배경
1) 키치 발생과 산업혁명
2) 현대사회에서의 키치
3. 키치의 특성과 유형
1) 키치의 특성
2) 키치의 유형

Ⅲ. 대중문화와 키치
1. 엘리트 문화와 키치
2. 대중문화와 키치
3. 예술과 키치

Ⅳ. 패션에 나타난 키치 표현
1. 키치 패션의 변천
1) 근대복식에 나타난 키치
2) 현대복식에서의 키치
2. 키치 패션의 조형적 특성
1) 누적성
2) 부적절성
3) 낭만성
4) 쾌락성
5) 풍자성
6) 중층성
3. 키치 패션의 사회문화적 의미
1) 대중문화와 상업주의의 산물
2) 정체성 표현
3) 일상성의 예술화
4) 저항과 일탈

Ⅴ. 결론 및 제언

참고문헌

ABSTRACT

본문내용

Dictionary of Art Terms. London: Thames & Hudson. 1993.
Solomon, Robert C. "On Kitsch and Sentimentality". The Journal of Aesthetics and Art Criticism. Vol. 49(1).
TIME. October 24, 1983.
The Random House. Dictionary of Art ＆ Artist. N.Y: 1988.
Vogue.
Abstract
A Study on Kitsch in Modern Fashion
Kim Kyung-ok
Major in Clothing and Textiles Dept. of Home Economics
Graduate school
Kyunghee University
The purpose of this dissertation is to interpret fashion throu-gh a socio-cultural phenomenon called kitsch by understanding its aesthetic characteristics and clarifying its significance in the modern consumer society and analyzing the examples of kitsch appearing in modern fashion. The following are the arguments and conclusion of this dissertation.
First, kitsch has negative meanings such as aesthetic inadeq-uacy or bad tastes implying vulgar popular tastes of faked se-nsations just imitating elite culture and using things indiscrimi-nately for inferior reproduction or at best the philos ophical an-d aesthetic category that expresses the mass of people's attitu-des toward life in accepting the consumer culture of the indus-trial society. It started from the art of romanticism accompani-ed by the commercializing of art with the bourgeois society b-ackground formed in the mid-19th century. Though kitsch star-ted to prevail following the socio-cultural changes caused by t-he Industrial Revolution in the 19th century, it is only in the l-ate 20th century that kitsch has come to our everyday life an-d has become an object of aesthetic arguments.
Second, characteristics of kitsch are as follows: the refusal o-f the original function of things, the tendency of an impulse o-r collection, cheapness and amassment, commonplaceness and comfort with romantic elements, and the combination of various elements. The types of kitsch are classified in many ways. The-y may be classified from a psychological point of view, or acc-ording the purpose of its themes and emotional differences or the produced things and attitudes toward them.
Third, As it is impossible to escape from mass culture in th-e modern consumer society, so it is inevitable for kitsch to co-me into being as a social product of the bourgeois civilization. It stands on the wide ground of many social strata and refuses the transcendence of elite art.
Fourth, formative characteristics of kitsch appearing in fashi-on have a cumulative, inadequate, romantic, pleasure-seeking, satirizing and multicomplex nature.
Fifth, the socio-cultural meanings of kitsch appearing in fas-hion are as follows: the extension of commercialism which gra-tifies the pleasure-seeking mass consumers, the enlargement o-f the aesthetic category by inclining to everyday commonplace aesthetic sense, the expression of one's identity through the gratification of desire and the new aesthetics of resistance and de-viance by an anti-traditional and anti-elite tendency towards t-he traditional society and aesthetic values.

키워드

현대패션,   키치연구,   대중문화,   정체성,   일상성,   예술화