이태준의 까마귀와 인공적인 글쓰기

목차

1. 서론

2. <까마귀> 창작과 Edgar Allan Poe의 <The Raven>

3. 결핵의 의미와 타자의 호출

4. 묘사 우위의 소설관과 그 의미 생산

5. 결론

참고문헌

**한글97

본문내용

는가』, 문예출판사, 1996
김병철, 『한국근대번역문학사 연구』, 을유문화사, 1975
김윤식, 『90년대 한국소설의 표정』, 서울대 출판부, 1994
민충환, 『이태준 소설의 이해』, 백산출판사, 1992
박헌호, 『이태준과 한국 근대소설의 성격』, 소명출판, 1999
상허문학회, 『이태준 문학연구』, 깊은샘, 1993
상허학회, 『근대문학과 이태준』, 깊은샘, 2000
유홍준, 「추사 김정희」, 『역사비평』, 1999 봄
이병렬, 『이태준 소설의 창작기법 연구』, 숭실대 박사학위 논문, 1993
조용진, 『동양화 읽는 법』, 집문당, 1989
최석태, 「애국계몽운동과 한국근대미술」, 『창작과 비평』 93, 1996 가을
최재서, 『최재서평론집』, 청운출판사, 1961
최열, 「조선미술론의 형성과 성장과정」, 『한국미술의 자생성』, 한길아트, 1999
한자경, 『자아의 연구』, 서광사, 1997
한형구, 「편집자-비평가로서 조연현의 생애와 문예지 『현대문학』」, 『한국현대문학연구』 9집, 월인, 2001
홍일출, 『에드거 앨런 포우』, 건국대출판부, 1996
Johnson, R. V., Aestheticism, 이상옥 역, 서울대학교 출판부, 1979
Poe, Edgar Allan, Annabel Lee, 정규웅 역, 민음사, 1974
Poe, Edgar Allan, The Philosophy of composition, The Poems & Three Essays On Poetry, Edited by Brimley Johnson, Oxford University Press, 1992
Renard, Jules, Histoires Naturelles, 손석린 역, 을유문화사, 1972
Sontag, Susan, Illness as Metaphor, NewYork;Farrar, Straus and Giroux, 1978
Zizek, Slavoj, Looking awry, 김소연.유재희 역, 시각과 언어, 1995
Taejoon Lee's and the Artificial Writings
Park, Jin sook
This paper's primary goal is to analyze the composition principle of , the short story of Taejoon Lee. In this process, it will be found that one of the characters of Lee's writing style lies in the artificial writings. And how the two seemingly contradicting prospectives, i.e., aestheticism and realism, coexist within Lee's whole works.
My conclusions of this paper are as follows: first of all, was created on the basis of E. A. Poe's poem [The Raven] and his essay [The Philosophy of Composition]. We can find this feature through four motives in his , the exposition of Poe's poem, two time repetition of such sentence as "...is endless pronunciation of 'R' after 'GA'--Kkaruru(까르르), a woman's visit, setting of space such as a room near the gate.
Secondly, the meanings of calling a woman as a reader and the relations between the raven and tuberculosis are very significant in his novel. This two settings can explain in which way the 'otherness' exist.
Thirdly, different from his contemporary writer, his writing style is artificial. This aspect is shown through thick description. For example, there is a description of the main character's living room which are composed of Sagunja(oriental painting of plum- blossoms, orchids, chrysanthemums and bamboos; 사군자), painting of celadons and broken-stemmed flowers(器皿折枝畵), and Chusache(the handwriting of Jeong-hee Kim, one of Korean great calligraphers; 추사체). Above three components are not used as a simple description, but utilized exposing Lee's view of the world. This point is directly related to his emphasis on description in expressing his view of the novel. Owing to this point, his novels are strained and can not be degraded as a simple aestheticism.
In these repects, his writings have made out a category of 'literature as literary art' afterwards, which is epoch-making in the history of literature.
주제어 : 인공적인 글쓰기, 문예, 타자, 독자, 묘사

키워드

까마귀,   이태준