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Studies Institute (2018). 영화로 보는 (여)성의 역사. Retrieved from https://women.pusan.ac.kr/bbs/women/9304/680967/artclView.do
Sine21 (2003). [LA] 옛날 여자가 더 나쁘다. Retrieved from https://cine21.com/news/view/?mag_id=19087
The Script Lab (2023). Sinema: A Brief History Of The Sexiest Films Ev
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Studies, (Routledge, 1992)
D.Morley, The Nationwide Audience:Structure and Decoding, (British Film Institute,1980)
D.Morley, Family Television: Cultural Power and Domestic Leisure, (Comedia Publishing Group, 1986)
W. Russell Neuman, The Future of The Mass Audience, (Cambridge Univ. Press, 1991).
M.
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Film Melodrama of the New Period, N. Brown et al.(eds), New Chinese Cinemas: Forms, Identities, Politics, Cambridge: Cambridge University Press.
Park and Cho (1995). Confucianism and the Korean family, Journal of Comparative family Studies, vol. 26, No. 1.
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Jeong, H. S. (2017). Narrative Structure and Emotional Flow in \"Poetry\". Korean Cinema Studies, 24(1), 23-49.
Baek, M. J. (2015). The Modernity in Baek Tae-Won\'s Novels. Journal of Korean Modern Literature, 37(1), 7-33.
Kim, J. Y. (2018). The Poetic World of
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Filmmaking, and the Studio System (New York: Random House, 1981), p. 16.
2) Ibid., pp. 6-7.
3) 김용수, 서강대학교 신문방송학과 교수, 1998년 봄학기 \"영화 연구\" 강의 초록 중.
4) Mitsuhiro Yoshimoto, Kurosawa: Film Studies and Japanese Cinema, ed. Rey Chow, H.D. Harootunian, Masao Miyoshi
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