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imagination are carried on either
by conferring additional properties upon an object, or
abstracting from it some of those which it actually
possesses, and enabling it to re-act upon the mind
which hate performed the process, like a new existence.\"
Martindale은 Wordsworth의 image에 관하여 순수한 창
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Romanticism. Ed. and Intr. by Cynthia Chase. London & New York: Longman, 1993.
Rosenthal, M. L. The Modern Poets: A Critical Introduction. London: Oxford UP, 1968.
Simpson, David. Romanticism, Nationalism and the Revolt against Theory. Chicago & London: Chicage UP, 1993.
Waldoff, Leon. “Imagination
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Romantic Assertion：A Study in the Language of Nineteenth Century Poetry : R. A. Foakes, 1958 (reprinted 1971)
The Mirror and the Lamp：Romantic Theory and the Critical Tradition : M. H. Abrams, 1953 (reprinted 1971)
The Romantic Imagination : C. M. Bowra, 1949 (reissued 1969)
11.9 빅토리아시대
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imagination to envision and to escape.
그리고 그것도 외래종, 익숙지 않고 로코코 풍의 중국풍의 것보다 확실한 모드로 먼을 채택하려고 했습니다．구상하고, 벗어나는 상상의 파워를 동력화했습니다.
The modern sense of a romantic character may be expressed in By
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Romantic Assertion：A Study in the Language of Nineteenth Century Poetry : R. A. Foakes, 1958 (reprinted 1971)
The Mirror and the Lamp：Romantic Theory and the Critical Tradition : M. H. Abrams, 1953 (reprinted 1971)
The Romantic Imagination : C. M. Bowra, 1949 (reissued 1969)
11.9 빅토리아시대
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