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rrold, C. F. & W. D. Templeman, eds. English Prose of The Victorian Era. New York: Oxford Univ. Press, 1974.
Highet, Gilbert. The Classical Tradition. New York: Oxford Univ. Press, 1949.
Huizinga, Johan. Men and Ideas. New York: Meridian Books, Inc., 1959.
________. The Waning of The Middle Ages. New York: Penguin Books, 1976.
Levine, Donald, ed. Georg Simmel on Individuality and Social forms. Chicago: The Univ. of Chicago Press, 1971.
Lovejoy, Arthur O. The Great Chain of Being. New York: Harper Torchbooks, 1960.
Machiavelli, Niccolo. The Prince. New York: Washington Square Press, 1963.
Major, John M. Sir Thomas Elyot and Renaissance Humanism. Lincoln: Univ. of Nebraska Press, 1964.
Mazzo, Joseph. Renaissance and Revolution. New York: Pantheon Books, 1965.
Michlet, Jules. Histoire de France: xvie. si cle-la Renaissance. Vol 7. Paris: A. Lairoix, 1874.
Parrot, Thomas and Robert Ball. A Short View of Elizabethan Drama. New York: Charles Scribner's Sons, 1958.
Shawcross, John, ed. The Complete Poetry of John Donne. New York: Anchor Books, 1967.
Spencer, Theodore. Shakespeare and the Nature of Man. New York: The Macmillan Company, 1961.
Stevenson, David, ed. The Elizabethan Age. New York: A Fawcett Premier Book, 1966.
Tillyard, E. M. W. The Elizabethan World Picture. New York: Penguin Books, 1963.
Abstract
The Transition of The Zeitgeist of The English Renaissance and New Discovery Of Man in Shakespeare's Tragedies
Hee-Ock Yoon
Scholars from various disciplines raise voices of dissent regarding the duration and the character of the Renaissance. Most historians, however, accept the idea that the English Renaissance spans from 1450 to 1600 in England.
The change of economic and political situation, and the discovery of the world and new astronomy in the sixteenth century swept over English society. The Renaissance was an era of individualism, of the awakening to self-consciousness, and of the glorification of secularism.
Under the collapse of medieval established norms, Tillyard's world picture of the Elizabethan Age, which parallels the hierarchical patterns of the universe with the whole classes of society, has been challenged by Montaigne's scepticism, Machiavelli's pragmatic politics, and Copernicus's discovery of the theory of heliocentric system. And these powerful intellectual upheavals produced the duality between the old traditions and the spirit of aspiring individualism.
The troubled and disturbed mood of the Counter-Renaissance following the High Renaissance runs in parallel with the glooming atmosphere of Shakespeare's tragedies such as Hamlet, Macbeth, King Lear, and Othello. Shakespeare launched a voyage for a new concept of man, and rediscovered him by delving into the mystery of his nature. His exploration of man exemplifies how the idealistic vision of man gradually loses its ground, and how the vaulting passions of his heros give way to restlessly divided soul. In this respect, Shakespeare is a progenitor of the modern drama.
Highet, Gilbert. The Classical Tradition. New York: Oxford Univ. Press, 1949.
Huizinga, Johan. Men and Ideas. New York: Meridian Books, Inc., 1959.
________. The Waning of The Middle Ages. New York: Penguin Books, 1976.
Levine, Donald, ed. Georg Simmel on Individuality and Social forms. Chicago: The Univ. of Chicago Press, 1971.
Lovejoy, Arthur O. The Great Chain of Being. New York: Harper Torchbooks, 1960.
Machiavelli, Niccolo. The Prince. New York: Washington Square Press, 1963.
Major, John M. Sir Thomas Elyot and Renaissance Humanism. Lincoln: Univ. of Nebraska Press, 1964.
Mazzo, Joseph. Renaissance and Revolution. New York: Pantheon Books, 1965.
Michlet, Jules. Histoire de France: xvie. si cle-la Renaissance. Vol 7. Paris: A. Lairoix, 1874.
Parrot, Thomas and Robert Ball. A Short View of Elizabethan Drama. New York: Charles Scribner's Sons, 1958.
Shawcross, John, ed. The Complete Poetry of John Donne. New York: Anchor Books, 1967.
Spencer, Theodore. Shakespeare and the Nature of Man. New York: The Macmillan Company, 1961.
Stevenson, David, ed. The Elizabethan Age. New York: A Fawcett Premier Book, 1966.
Tillyard, E. M. W. The Elizabethan World Picture. New York: Penguin Books, 1963.
Abstract
The Transition of The Zeitgeist of The English Renaissance and New Discovery Of Man in Shakespeare's Tragedies
Hee-Ock Yoon
Scholars from various disciplines raise voices of dissent regarding the duration and the character of the Renaissance. Most historians, however, accept the idea that the English Renaissance spans from 1450 to 1600 in England.
The change of economic and political situation, and the discovery of the world and new astronomy in the sixteenth century swept over English society. The Renaissance was an era of individualism, of the awakening to self-consciousness, and of the glorification of secularism.
Under the collapse of medieval established norms, Tillyard's world picture of the Elizabethan Age, which parallels the hierarchical patterns of the universe with the whole classes of society, has been challenged by Montaigne's scepticism, Machiavelli's pragmatic politics, and Copernicus's discovery of the theory of heliocentric system. And these powerful intellectual upheavals produced the duality between the old traditions and the spirit of aspiring individualism.
The troubled and disturbed mood of the Counter-Renaissance following the High Renaissance runs in parallel with the glooming atmosphere of Shakespeare's tragedies such as Hamlet, Macbeth, King Lear, and Othello. Shakespeare launched a voyage for a new concept of man, and rediscovered him by delving into the mystery of his nature. His exploration of man exemplifies how the idealistic vision of man gradually loses its ground, and how the vaulting passions of his heros give way to restlessly divided soul. In this respect, Shakespeare is a progenitor of the modern drama.
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