감정미학 vs. 낭만미학

목차

1. 들어가는 말

2. 감정 미학 vs. 낭만미학

3. 감정 미학

4. 낭만 미학

5. 낭만미학과 음악실제

6. 나가는 말

참고문헌

본문내용

1974): 325-330.
Lippman. Edward. A History of Western Musical Aesthetics. Lincoln & London: University of Nebraska Press, 1992.
Meierott. Lenz. Ed. Karl H. Worner Geschichte der Musik. Gottingen: Vandenhoeck & Ruprecht, 1993.
Neubauer, John. The Emancipation of Music from Language: Departure from Mimesis in Eighteenth-Century Aesthetics. New Haven: Yale University, 1986.
Pascal. Roy. Der Sturm und Drang. Stuttgart: Alfred Kroner Verlag. 1963.
Strunk, W. Oliver. Source Readings in Music History from Classical Antiquity through the Romantic Era. New York: Norton, 1950; reprint, 1965.
김용환, "낭만주의의 모티브와 심볼," 음악과 민족 제 16호 1998, 191-212쪽.
이경희, "음악의 자율성 성립과 그 미학적 근거," 서울대학교 석사 논문, 1990.
-----, "18세기 후엽 독일 기악미학관의 변화," 음악과 민족 15호, 1998. 105-128쪽.
1) Leo Balet & E. Gerhard, Die Verburgerlichung der deutschen Kunst, Lieteratur und Musik im 18. Jahrhundert (Frankfurt a. M: Ullstein GmbH), p. 306.
2) Leo Balet & E. Gerhard. Die Verburgerlichung der deutschen Kunst, Literatur und Musik im 18. Jahrhundert, p. 314.
3) Balet & Gerhard, p. 316.
4) Hans Heinrich Eggebrecht, "Das Ausdruck-Prinzip im musikalischen Strum und Drang,"
Deutsche Vierteljahrsschrift fur Literaturwissenschaft und Geistesgeschichte 29 (1955): 323-349.
5) Nicolas Boileau, Traite du sublime et du merveilleux, 1672.
6) Edumund Burke, "A Philosiphical Enquiry into the Origin of Our Ideas of the Sublime and Beautiful," Peter le Huray & James Day eds. Music and Aesthetics, pp. 69-74에 발췌 번역.
7) C. F. Michaelis, "Das Schone und das Erhabene im Musik" Berlinische musikalische Zeitung, vol. 1, no. 46, pp. 179-180, Music and Aesthetics p. 290 발췌 번역.
8) E. T. A. Hoffmann, Schriften zur Musik, p. 37. C. Dahlhaus, The Idea of Absolute Music, p. 59 재인용.
9) Jean-Baptiste Du Bos, Reflexions critiques sur la poesie et sur la peinture, Paris, 1719, Music and Aesthetics, p. 18 발췌 번역.
10) Enrico Fubini, The History of Music Aesthetics, p. 176-177.
11) C. Dahlhaus, [음악미학], p. 37.
12) Friedrich von Schlegel, Das Athenaum, Jena, 1798-1800, pp. 320, Music and Aesthetics, p. 247 발췌 번역.
13) C. Dahlhaus, The Idea of Absolute Music, p. 71.
14) Karl Philipp Moritz, Andreas Hartknopf (reprint, Stuttgart, 1968), pp. 132-3, C. Dahlhaus, The Idea of Absolute Music, p. 61 재인용.
15) C. Dahlhaus, The Idea of Absolute Music, p. 63.
16) W. H. Wackenroder, Herzenergiessungen eines Kunstliebenden Klosterbruders,
p. 192, Edward Lippmann, A History of Western Musical Aesthetics, p. 206 재인용.
17) August Wilhelm Schlegel, Die Kunstlehre, ed. Edgar Lohner (Stuttgart, 1963),
p. 215. C. Dahlhaus, The Idea of Absolute Music, p. 71 재인용.
18) C. Dahlhaus, The Idea of Absolute Music, pp. 71-72.
19) Wackenroder, Werke und Briefe, ed. Friedrich von der Leyen (Berlin, 1938; reprint, Heidelberg, 1967), p. 206.
20) E. Hanslick, Vom musikalisch-Schonen (Leipzig, 1854; reprint, Darmstadt, 1965),
p. 16.
21) Helmut Kuhn, Schriften zur Asthetik (Munchen, 1966), pp. 15-16.
22) C. Dahlhaus, Klassische und romantische Musikasthetik, p. 97.
위쪽으로

키워드

감정미학,   낭만미학,   음악미학