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criticisms, the existence of the readers are ignored because their tastes and tendencies are too obvious to analyse. The importance of the reader\'s roles are reestimated by now. Readers are considered as the passive, but they are not.
Context oriented criticisms are highly estimated by the orthord
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Criticism, p.233. 재인용
한편 형식미학은 관념론적 미학과 형식론적 미학으로 나눠지는데 전자는 내용과 밀접한 관련 하에서 이루어지는 경우이고, 후자는 내용과 무관하거나 거리가 먼 미적 형식원리로 파악되는 것이다. 형식론적 미학에는 조
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Itoh,M.(1980), Value and Crisis, London,Pluto Press.
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