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female subjectivity within the interactive human relationship, while men students blatantly congratulate themselves on being the privileged gender identity group in this strongly patriarchal society. Their different responses provide fundamental information about how women and men students have esta
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female sexuality)\', \'동성애(homosexuality)\',\'양성애(bisexuality)\'가 더 이상은 억압을 당하고 있지 않음을 보여준다. 그러나 2막의 모든 인물들이 \'자아(The Self)\'로 서는 것은 아니며, 2막의 인물들은 오히려 \'주체성(subjectivity)\'을 획득하기 위해서
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Female Voice, 서선영(역), 육체에서 분리된 여성의 목소리, 시네-페미니즘: 대중영화 꼼꼼히 읽기, 과학과 사상.
Turner, G. (1993). Film as Social Practice, London: Routledge.
_________ (1998). Cultural Studies and Film, J. Hill & P. C. Gibson(eds), The Oxford Guide to Film Studies, New
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Abstract: Hester Prynne in Nathaniel Hawthorne’s The Scarlet Letter is a classic female protagonist who impressively displays her rebellion to Puritan norms and patriarchal rules. A combination of Hawthorne’s favor of delicate symbolism and Hester’s outstanding female subjectivity contributes to the
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