• ํ†ตํ•ฉ๊ฒ€์ƒ‰
  • ๋Œ€ํ•™๋ ˆํฌํŠธ
  • ๋…ผ๋ฌธ
  • ๊ธฐ์—…์‹ ์šฉ๋ณด๊ณ ์„œ
  • ์ทจ์—…์ž๋ฃŒ
  • ํŒŒ์›Œํฌ์ธํŠธ๋ฐฐ๊ฒฝ
  • ์„œ์‹

์ „๋ฌธ์ง€์‹ 2๊ฑด

judgement) โ‘ข์ผ์‹œ์ ์ธ ์•ˆ์‹ฌ(false reassuring) โ‘ฃ์ƒํˆฌ์ ์ธ ๋ฐ˜์‘(stereotyped response) โ‘ค๋ฌธ์ž์ ์ธ ๋ฐ˜์‘(giving literal response) โ‘ฅ์ถฉ๊ณ (giving advice) โ‘ฆ๊ฑฐ๋ถ€(rejecting) โ‘ง๋™์˜(agreeing) โ‘จ์ด๊ฒฌ(disagreeing) โ‘ฉ์นญ์ฐฌ(giving approval) โ‘ช๋น„๋‚œ(disapproval) โ‘ซํ—ˆ์œ„(falsification) โ‘ฌ์ฃผ์ œ
  • ํŽ˜์ด์ง€ 15ํŽ˜์ด์ง€
  • ๊ฐ€๊ฒฉ 2,800์›
  • ๋“ฑ๋ก์ผ 2012.08.14
  • ํŒŒ์ผ์ข…๋ฅ˜ ํ•œ๊ธ€(hwp)
  • ์ฐธ๊ณ ๋ฌธํ—Œ ์žˆ์Œ
  • ์ตœ๊ทผ 2์ฃผ ํŒ๋งค ์ด๋ ฅ ์—†์Œ
falseness of soial value that serves as a source of tragic suffering. Next, the structural contrast between the characters problematizes the false social consciousness which constructs the characters as victim of society. In particular, the contrast of two pairs, Isabella vs Vittoria and Flamino vs
  • ํŽ˜์ด์ง€ 19ํŽ˜์ด์ง€
  • ๊ฐ€๊ฒฉ 2,300์›
  • ๋“ฑ๋ก์ผ 2002.12.20
  • ํŒŒ์ผ์ข…๋ฅ˜ ํ•œ๊ธ€(hwp)
  • ์ฐธ๊ณ ๋ฌธํ—Œ ์—†์Œ
  • ์ตœ๊ทผ 2์ฃผ ํŒ๋งค ์ด๋ ฅ ์—†์Œ
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