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economy of which the film is an apparatus. Attending to feminist film theories, therefore, one may easily conclude that both the subject and the object of cinematic visual pleasure are overdetermined by the traditional gender ideology of patriarchy, for those films have been produced and circulated
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, 에코리브르
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(1). 청초사
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Eighteenth Century, 1660-1785)
2. 존 던(John Donne, 1572-1631)과 형이상학파 시인들(the Metaphysical Poets)
존 던(John Donne, 1572-1631)
던의 「종교시 14」(Holy Sonnet 14)
조지 허버트(George Herbert, 1593-1633)
벤 존슨(Ben Jonson, c. 1573-1637)
「셀리아에게 바치는 노래」(
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日本經濟産業省(2002), 「2001年海外事業活動基本調査」.
日本經濟産業省(2002), 「技術調査
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