farce(소극)에 대한 총괄조사자료

목차

Ⅰ. 들어가는 말
Ⅱ. 연속성과 대중성
Ⅲ. 폭력성과 정서적 거리감
Ⅳ. 형식적 특성
Ⅴ. 공연양식적 특성
Ⅵ. 맺는말
참고문헌
ABSTRACT

본문내용

Method, T.D.R December. 1960
Robert, W, Corrigan, Thje World of the Theatre, Wm, C.Brown Publisher, 1992
───, The Making of Theatre, Scott, Foresman and company, Glenview, Illinois, 1981
───, Comedy meaning and Form, Haeper & Row, Publisher, New York, 1981
Vsevolod, Meyerhold, Farce, T.D.R. September, 1959
ABSTRACT
A Study of Farce
This thesis attempted to describe the main characteristics of farce on the assumption that farce depends on actor's physical skill entirely, and farce could be experience only through the actual performance. From the premises, I have concluded as follows.
First, farce as based on popularity and it has a continuity with other theatrical genres. Since it has been formed as a drama in the end of 15th century, farce is very popular in public until the 19th century, but a farce shares with other theaterical genres in a style and a form through the theater history. The continuity of farce is from its a plot, a structure, a situation, a characters, and actor's physical movement. The continuity of farce, basically, depend on public interest and popularity because farce express the mankind's desire and impulse. Consequently, the nature of farce has an active, a physical and an aggressive qualities.
Second, farce is the drama of improbability and inconsistency. The plot of farce is out of logicality which is derived from the interaction of cause and effect and an elaborateness, and the episodes are consist of the situation of improbability. Thus the story always goes to unexpected way. The situation of improbability, also, shows the inconsistency by the principle of reversal and inversion, and makes a laugh which is the essence and goal of farce. Especially the inconsistency is the fundamental element to characterize the acting style of farce.
Third, farce totally depends on actors. The theatrical devices of farce which five probability and logicality to the situation and character of improbability depend on actor's physical skill. The identity of character is built by a linguistic and physical gestures, and episodes of farce convey the meaning to an audience through a typical and a exaggerated acting style. Also, Physical devices- a stage, a costume, a property... -are give by actor's physical technique.
Fourth, farce is a the drama of conciseness. The word "farce" is derived from the french word "farcir"-to stuff. Farce is to array a short episodes, to use a expressive clause and a lazzi which is for building a character. These traits of farce sustain the theory of brevity in a style and a form, also the brevity of farce increase a tempo in actual performance.
Fifth, farce is no -illusorily drama. It is full of the improbability and the aggressive physical movement. It requires a emotional distance which eliminated a sentimentality and a illusion completely to an audience. The emotional distance, perhaps most important, is a fundamental theory to extract a laugh, and it apply to the theatrical devices of farce consistently

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